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・ ECCC
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・ Ecce Homo (Antonello da Messina)
・ Ecce Homo (book)
・ Ecce Homo (Bosch, 1470s)
・ Ecce Homo (Bosch, 1490s)
・ Ecce Homo (Caravaggio)
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・ Ecce Homo (disambiguation)
・ Ecce Homo (Elías García Martínez)
Ecce Homo (exhibition)
・ Ecce Homo (Grant Hart album)
・ Ecce Homo (Juan Luna)
・ Ecce Homo (The Hidden Cameras album)
・ Ecce sacerdos magnus
・ Ecce sacerdos magnus (Bruckner)
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Ecce Homo (exhibition) : ウィキペディア英語版
Ecce Homo (exhibition)

''Ecce Homo'' was a controversial exhibition of 12 photographs of different biblical situations, in modern surroundings, taken by the Swedish photographer Elisabeth Ohlson Wallin. The first vernissage of the exhibition was in Stockholm, July 1998 and attracted much attention. When the exhibition was shown in the cathedral of Uppsala in September it caused a national debate. The reactions was often very emotional, and both positive and negative. The photos portrayed Jesus among homosexuals, transgender people, leatherpeople and people with AIDS. The exhibition toured Scandinavia and continental Europe between 1998 and 2004. An Ecce Homo exhibition opened in October 2012 in the Belgrade Pride festival in Belgrade, Serbia, and was guarded by large number of riot police due rioting in the ensuing controversy.〔 〕
==The photographs==
The photos recreated classical Christian motifs, but substituted the persons or the surrounding context with lesbian, gay, bisexual and transgender-related (LGBT) issues and persons. An example of context substitution is the recreation of the motif of Mary holding Jesus (the Pietà motif), with the surrounding context being that of a medical facility, with Jesus dying from AIDS.
The photographs are all connected to, and shown together with, quotations from the Bible and depicts: Annunciation Luk 1:30–31, Birth of Jesus Luk 2:7, Baptism of Jesus Luk 3:21–22, Woes of the Pharisees Matt 23:13, The Arriving to Jerusalem Luk 19:37 -40, Last Supper Matt 26:26 -28, The kiss of Judas Matt 26:45 – 48, Jesus being weighed down by the cross Mark 15:17 – 20, Crucifixion of Jesus Matt 27:45 – 46, Pietàn Joh 19:26, Jesus showing himself to the women Matt 28:9 – 10 and Heaven Matt 18:18. Many of the pictures are inspired of classical paintings and all of them are photographed in a modern surrounding. The photographer has deliberately used homosexual models to communicate the likeness between biblical situations of being unaccepted and modern ones, and to show the all-embracing love of God. On the photo of the Last Supper there are transgendered instead of homosexual models, as a comment of the fact that Jesus according to the Bible often partook in meals together with people not accepted by society.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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